Freitag, 31. Juli 2009

Taufe der 1. Lipizzaner-Rose

From the web site of der Spanische Hofreitschule:

Taufe der 1. Lipizzaner-Rose

Feierlich wurde am 2. Juli 2009 im Rosentempel der Firma Micko, die erste Lipizzanerrose präsentiert. Taufpatin war niemand geringerer als Generaldirektorin der Spanischen Hofreitschule – Bundesgestüt Piber, Dipl.-Kfm. Elisabeth Gürtler. Als Rosenliebhaberin und Repräsentantin der edlen Lipizzaner war sie stolz darauf diesen Akt zu vollführen.

Unterstützt wurde sie durch den Hengst Maestoso Ancona 77, geb. 7.4. 2000, der durch seine Gelassenheit das gesamte Publikum faszinierte. Auch er durfte einmal an der wunderbaren Rose schnuppern und hätte wohl gerne einen Geschmackstest durchgeführt.

Wie die bekannten Lipizzaner erhält die Lipizzaner-Rose ihre weiße Pracht erst im Aufblühen, denn als Knospe trägt sie noch ein rosafarbenes Kleid.

Die 90 cm hohe Rose zählt zu den Edel-Rosen. Sie ist dauerblühend und zum Vorteil aller Rosenfreunde sehr widerstandsfähig gegen Krankheiten, wie auch die edlen Lipizzaner.

Nähere Informationen zur Lipizzaner-Rose erhalten Sie im Pflanzenparadies Micko in Lieboch.

 

Christening of the first Lipizzaner Rose

On Thursday, July 2nd, 2009 the first Lipizzaner Rose was presented at the Rose Temple by the nursery Micko. Elisabeth Gürtler, Managing Director of the Spanish Riding School – Federal Stud Piber and an avid rose lover and representative of the noble Lipizzaners is the proud "god mother".

The stallion Maestoso Ancona, born on April 7th, 2000, calmly supported her and delighted the audience. He was allowed to sniff the wonderful rose scent and would have liked to taste it too!

And just like the famous Lipizzaners the Lipizzaner Rose doesn’t turn completely white until it blossoms; its bud is delicately pink.

The Lipizzaner Rose reaches a height of approx. 90cm and belongs to the family of premium roses. It flowers repeatedly and is very resistant against diseases, just as its name giver the Lipizzaners.

Please contact the nursery Micko in Lieboch for further information.

Side Saddle Ladies




For MissScribbles (Elaine) ;-)

A side saddle literally is a saddle on which the rider sits on one side, both legs on the same side. The whip is used to give the aids on the side opposite the legs,

In the Middle Ages, the woman was considered to be a helpless, passive creature, submissive to and protected by, her Knight. To enable the Knights to prove their manly prowess and chivalry, battles and tournaments were organized and the popularity of hunting grew. Women wanted to see their men folk in action, and therefore had to be safely transported to various locations. In the 12th Century the “sidesaddle” was a flat saddle pad. The ladies of that time sat laterally on the horse with their feet being supported by a small platform and were led by a cavalier.

Increasingly, women became interested in riding. In 1382, Anne of Bohemia, wife of Richard II, set the fashion in England of turning the body towards the front of the horse, setting only the left foot on the planchette (platform). By taking up the sport of hunting, she helped to advance the development of the side saddle.

But this seat was far away from being safe and so saddles were designed with a pommel in front, over which the rider could hook one knee, which enabled her to face the way she was going much more easily and safely. Catherine de Medici, an enthusiastic horsewoman and hunter, invented a second pommel in 1580. Like the first, it was positioned on the top of the saddle. The rider wedged her knee between them to gain a little more security. It revolutionized the
side-saddle.

Riding side-saddle became the leisure pleasure of the ladies of the upper classes. Francois de Garsault in 1770 and Federigo Mazzuchelli in 1803 wrote the first books concerning riding in side-saddle. Over two centuries the side-saddle remained unchanged, until in 1830, the French riding master Charles Pellier invented the “leaping head” – a pommel screwed into the saddle and curving over the rider’s left thigh.
It was this invention which gave the side-saddle its reputation for safety and security, and from this point on the ladies of the upper class rode exclusively in side-saddle.

Theoretically the women could also canter and jump on these new saddles with the three pommels. By the mid 1870’s the one pommel saddle had almost disappeared and the side-saddle rider was equipped to enter the hunting field. Before then, while ladies might ride to the meet to see their men folk off, it was not considered respectable to actually follow hounds.

It was the Empress Elisabeth of Austria that made riding with hounds extremely popular and fashionable ladies everywhere followed her lead. However, it was through this activity that they saw that the new saddles were not as safe as first thought. It was only with the development of the balance strap (a strap that runs from the front, near side to the offside rear of the saddle or is sometimes sewn on to the girth), plus the invention of safety stirrups with quick-release devices at the top of the stirrup leather or saddle bar, that the side saddle became safe.

Mid 1900 saw the “liberation and equality for all” and the growth of a “middle class” of people that could afford their own horses. Promenade riding became fashionable and as more people entered into the sport, riding centers, tournaments and displays developed.
Still the women continued to push for equality and started to ride astride in order not to be inferior to their cavaliers. Riding today is one of the few sports where ladies and gentlemen can be measured equally.

In England today, riding side-saddle is on the increase, possibly due to the influence of Queen Elisabeth II or because of the fact that the roots of side saddle are in England where tradition is held high. Besides England, the Netherlands, France, Sweden, Germany and many countries have their own side saddle associations.

Margarita Mia and Andreas




My little Arabian mare and I also rode in the clinic. This is her favorite part of the process.

July 2009 Andreas Hausberger Clinic




Hosted by Jennifer Roth of Across the Diagonal Farm, Carmel, CA, this year's clinic was great fun and an incredible learning experience. This is Maestoso II Omegga with his talented young trainer, Jennifer Coyne-Wilhite up. As you can see in the first two piaffe photos, he frequently has an opinion.

Most of these photos were taken by a talented local photographer, Will Meneke, and are shared with his permission.

Photos from July 2009 Andreas Hausberger Clinic Across the Diagonal Farm

How to get the photos from the clinic visible to you all is frustrating me a bit.  There are some excellent photos of you, Andreas, which I have not yet posted. 

Hopefully this link will work. 

Clara, I will send you a disk of Rodriga's photos in a day or two.  Would it be OK to post one or two here?

Jan

 

I

 

 

Mittwoch, 29. Juli 2009

Philippe Karl-- German Federation Letter & Petition Response




The FN replied to Philippe Karl on 15 June 2009 and commented on his propositions.
(Because of the way I was sent this, I could only upload it as foto's. You will need to click on each foto and use the "zoom" in the upper right corner to read the letters.)

father and son

a very bad quality - i am sorry- but this picture has been taken with a handy. at least i documented the situation. it is the favored game for our little colt to catch daddies (m.toscana) tounge and to elongate it. toscana is so cute with the little guy.

Montag, 27. Juli 2009

Charles Harris

What a wonderful, interesting & educational evening I've had due to taking the time to verify my understanding!

I've always presumed when Bobby's written, spoken of or referred to his training under Charles Harris & the book he has with Charles' notes in it that it was Charles' Workbooks from the Spanish School.

Well we all know what thought did ,,, !

What he actually has is The Art of Classical Dressage by Col Podhajsky translated by E. Podhajsky with the Charles' notes referring to it & his training under Col Podhajsky.

This lead to us discussing & sharing online information I'd found that astounded Bobby - he learn things about Charles that he hadn't known!

Rather than risk the ramifications of copyright issues through posting extracts from the links we shared, they are posted below for your perusal.

http://www.halebooks.com/display.asp?isb=9780851318455&pge=allen - what an informative synopsis.

http://sites.google.com/site/charlesharrissite/Home/index-to-workbooks-from-the-spanish-school-web-page#A - index to
Workbooks from the Spanish School.

Samstag, 25. Juli 2009

Shandur Polo Festival - highest polo ground on earth

http://www.shandur.com/
Shandur is the highest Polo Ground in the World (3738 meters above sea), situated in Chitral along the border with Gilgit. Chitral is a beautiful valley in the North West Frontier Province of Pakistan. Every year a three day Polo Festival takes place during the second week of July (July 7, 8 and 9) in this remote Polo ground of the World.

Dressage History at the Olympic Games

A very condensed history!  ;-)

Romy

 

Gimpel and Hermann von Oppein-Bronikowski won a gold medal in team dressage at the 1936 Berlin Olympics

At the 1952 Helsinki Games, Denmark's Lis Hartel became the first woman to win a medal in equestrian dressage.

Olympic Games

Equestrian- Dressage History

Horse ballet for officers

Dressage was born out of military training, and in the early years of Olympic competition, only officers were allowed to compete in the event.

Despite its formal, ballet-like appearance and emphasis on proper form and aesthetics, dressage actually has its roots in military training. The lives of soldiers dating back as far as ancient Greece depended on how quickly and nimbly their horses reacted in battle, and it was vital that the animals be impeccably trained.

For officers and gentlemen

The first known dressage or equitation manual was compiled by the Greek writer Xenophon in around 400 BC. Many of the movements developed then and refined through the ages are still part of modern-day dressage.

Dressage first appeared at the Olympic Games in 1912 and for many years only commissioned military officers were eligible to compete. In fact, in 1948 the Swedish team was disqualified and stripped of its gold medal because officials discovered that team member Gehnall Persson was a non-commissioned officer. The rules were changed soon after this, and Persson returned to claim the gold in 1952 and 1956.

In 1952, women won the right to compete in Olympic dressage. That year, Denmark’s Lis Hartel became the first female medallist, capturing the silver at Helsinki. Hartel’s win was doubly remarkable, as she had been paralyzed by polio in 1944 at the age of 23. After three years of rehabilitation, she regained most of her power of movement. Although Hartel remained paralyzed below the knees, by 1947 she was able to compete again.

At the medal ceremonies at the 1952 Games, the gold medallist, Swedish rider Henri Saint Cyr, graciously helped Hartel onto the podium. In 1956, she won silver again at Stockholm – again behind Saint Cyr .

Donnerstag, 23. Juli 2009

Karl Mikolka in hospital!

www.ultimatedressage.com

The message was posted by REX:

I just got the following from a friend. 

For those of you who have asked about Karl and his condition , please see below from Lynn. Prayers, please, for both of them. I am thinking that we might be able to help a little with what I know will be financial worries if people would be able/willing to make a donation to send on to Lynn to help while he is working through the chemo. Whatever you might be able to contribute would be appreciated and helpful. I will, with your permission, consolidate the funds if you would like to send them on to me, and send them on in a single check to Lynn along with your names, as I know that you are all praying for him and for them. Cherie 

Karl was admitted today and will begin chemotherapy tomorrow. The chemotherapy will consist of 5 different drugs at once (cytoxan, adriamycin, vincristine, prednisone and rituxon). The cancer has been diagnoses as an agressive, rapid-growing large-cell non-hodgkins lymphoma. We have been warned against the possible risks including heart damage, bladder-bleeding and bone marrow supression. Do we have a choice???? He is taking it much better than I. I am numb from worry and exhaustion and feel helpless. He's at the East Campus of Beth Israel in Boston, Feldberg 7th floor, room 785. Please share this information with Karl's students and well-wishers as you see fit.
 

Karl's business address is P.O. Box 388, Rockport, MA 01966. The e-mail was sent from ( twasbrilag@aol.com ) 

I am at a loss for words. 

Rex

Mittwoch, 22. Juli 2009

All the Queen's Horses with Alan Titchmarsh

Did you see "All the Queen's Horses with Alan Titchmarch" programme on ITV last Sunday?

What a wonderful programme!

If not, you can still watch it via this link - http://www.itv.com/ITVPlayer/30DayCatchUp/default.html?ViewType=2&Filter=19/7/2009 - that expires in 26 days.






  

The Carousel

The earliest carousel is known from a Byzantine Empire bas-relief dating to around 500 A.D., which depicts riders in baskets suspended from a central pole. The word carousel originates from the Italian garosello and Spanish carosella ("little war"), used by crusaders to describe a combat preparation exercise and game played by Turkish and Arabian horsemen in the 1100s. In a sense this early device could be considered a cavalry training mechanism; it prepared and strengthened the riders for actual combat as they wielded their swords at the mock enemies. European Crusaders discovered this contraption and brought the idea back to their own lands, primarily the ruling lords and kings. There the carousel was kept secret within the castle walls, to be used for training by horsemen; no carousel was allowed out in the public. Eventually some small carousel rides were made and installed for royalty in their private gardens. Soon after that, with the pomp of France and circumstance of Paris a grand game was devised and played in Le Place du Carrousel. Along with a pageantry-filled jousting tournament it also consisted of "combatants" throwing clay balls filled with perfumed water at each other, thus those being hit would smell for days. A highlight of the carousel was the ring-tilt, in which knights would attempt to spear suspended rings at full gallop.

As for the Turkish and Arabian horseman, a carousel was built around 1680 as a training device for the ring-tilt, consisting of wooden horses suspended from arms branching from a center pole. Riders aimed to spear rings situated around the circumference as the carousel was moved by a man, horse, or mule. With the development of craft guilds and the relative freeing up of the trades in Europe, by the early nineteenth century carousels were being built and operated at various fairs and gatherings in central Europe and England. For example, by 1745 AD, wagonmaker Michael Dentzel had converted his wagonmaking business in what is now southern Germany to a carousel-making enterprise. Animals and mechanisms would be crafted during the winter months and the family and workers would go touring in their wagon train through the region, operating their large menagerie carousel at various venues. Other makers such as Heyn in Germany and Bayol in France were also beginning to make carousels at this time. In its own unique style, England was also rapidly developing a carousel-making tradition.

Early carousels had no platforms: the animals would hang on poles or chains and fly out from the centrifugal force of the spinning mechanism; these are called "flying horses" carousels. They were often powered by animals walking in a circle or people pulling a rope or cranking. By the mid-1800s the platform carousel was developed where the animals and chariots would travel around in a circle sitting on a suspended circular floor which was hanging from the centre pole; these machines were then steam-powered. Eventually, with the technological advances of the industrial revolution, bevel gears and offset cranks were installed on these platform carousels, thus giving the animals their well-known up and down motion as they traveled around the centre pole. The platform served as a position guide for the bottom of the pole and as a place for people to walk or other stationary animals or chariots to be placed. Fairground organs (band organs) were often present (if not built in) when these machines operated. Eventually electric motors were installed and electric lights added, giving the carousel its classic look.

Although the carousel developed gradually in European countries such as Germany, France, England, and Italy, it did not reach its full scale development until it went into its American phase. This began with several makers, primarily Gustav Dentzel, Michael Dentzel's son, of Germany, and Dare from England. Michael Dentzel sent all four of his sons over to America in the 1850s, one of them, Gustav, with a full and complete large carousel packed away on the steamship. In early 1860 Gustav set up his family's carousel in Philadelphia to test the American market. It met with great success. At the same time he opened up a carousel and cabinet workshop in Germantown. This eventually became the headquarters for one of America's greatest carousel-making families. Shortly after this beginning other carousel makers from Europe began to arrive on American shores. Many fine woodcarvers and painters, classically trained in their European homeland, worked for these early American companies. The Dentzels, being of German origin, also employed other Germans such as the Muller brothers and also many Italians, such as Salvador Chernigliaro.

The first carousel to be seen in the United States was created in Hessville, Ohio during the 1840s by Franz Wiesenhoffer. Several centers and styles for the construction of carousels emerged in the United States, Philadelphia style, with Dentzel and the Philadelphia Toboggan Company, Coney Island style with Charles Carmel, Charles I. D. Looff, Marcus Charles Illions, Soloman Stein and Harry Goldstein and Mangels, Country Fair style with Allan Herschell and Edward Spillman of Upstate New York, and C.W. Parker of Kansas. Early on the Dentzels became known for their beautiful horses and lavish use of menagerie animals on their carousels. Their mechanisms were also considered among the very best for durability and reliability. Gustav's sons, William and Edward operated the company until William's death in 1927 at which time the company was auctioned off. By this time many carousel companies had gone out of business or diversified into other rides due to the hardships of the depression. Young Edward Dentzel, who was operating carousels in Southern California at the time decided to stay there and become a luxury housing contractor in Beverly Hills; he eventually became the Mayor of that city in the early 1950s.

Many carousel connoisseurs consider the golden age of the carousel to be early 20th century America. Very large machines were being built, elaborate animals, chariots, and decorations were superbly made by skilled old-world craftsmen taking advantage of their new freedoms in America. Large amounts of excellent and cheap carving wood were available such as Appalachian white pine, basswood, and yellow poplar. Whereas most European carousel figures are relatively static in posture, American figures are more representative of active beasts - tossed manes, expressive eyes and postures of movement are their hallmarks. The first carousel at Coney Island was built in 1876 by Charles I. D. Looff, a Danish woodcarver. The oldest functional carousel in Europe is in Prague (Letná Park). Another style is a double-decker, where there is a huge carousel stacked on top of another. An example is the Columbia Carousel.

William H. Dentzel of Port Townsend, Washington is the only descendant from a founding American carousel family of the United States still making wooden carousels. His carousels are similar to the oldest operating carousel in the United States in Watch Hill, R.I. (1893) built by the Dare company, a "flying horses" machine. The power sources for Dentzel’s contemporary carousels range from rope-pull to hand-crank to foot-pedal to AC 110 volt electric to DC solar power.

In the USSR in the 1970s and 1980s the carousel was not just a ride of amusement parks, but also an integral part of the urban culture. Many playgrounds, which existed in every yard, were equipped with a standard flower-shaped carousel, made of metallic bars with six wooden seats attached to them.

In the UK and Europe, merry-go-rounds (as they are most often referred to in those countries) usually turn clockwise, while in North America, carousels typically go anti-clockwise (or "counter-clockwise"). One mounts a real horse by lifting one's right leg over the animal's back as it stands with its head towards one's left (the horse's left side is called its "near" side). Likewise for a carousel that turns anti-clockwise: one stands on the near side of the horse to mount (towards the center of the carousel, not on its outer edge). One possible reason for carousels in the USA turning anti-clockwise may be so that the rider can use their right hand to catch a brass ring.


Article excerpt from Wikipedia.com

Photo of golden carousel horse from the Hampton Carousel; Hampton, Virginia, taken while I was on vacation back home.

Dienstag, 21. Juli 2009

Gen. George S. Patton Jr. and the Lipizzaners

Gen. George S. Patton Jr. and the Lipizzaners

Jun 2006 by Glueckstein, Fred

On May 7, 1945, the day before Germany surrendered and the war in Europe ended, Gen. George S. Patton Jr. and Robert Patterson, the Undersecretary of War, drove to Schloss Arco in nearby St. Martin im Innkreiss in Upper Austria to see the white Lipizzaner stallions of the famous Spanische Hofreitschule, or Spanish Riding School.

The Lipizzaners had been secretly evacuated to St. Martin from Vienna in March 1945 by the Spanish Riding School's director, Col. Alois Podhajsky, who was afraid the stallions would be killed by air raids or captured by the approaching Russian army and sent to the Soviet Union.

With lack of fodder for his horses and uncertainties facing the future of the school, Podhajsky thought the American Army could help him protect his magnificent stallions and the 200-year-old Spanish Riding School. To that end, Podhajsky enlisted the aid of XX Corps commander Walton Walker, who invited Gen. Patton to a demonstration of the haute école.

At Schloss Arco, Patton and Patterson watched a performance of the Lipizzaners. The white stallions were famous the world over for their splendid leaps, the graceful dance of Pas de Trois, and the quadrille ballet. Known for their classical beauty, intelligence and athleticism, the origin of the Lipizzaners goes back to the village of Lipizza in present day Slovenia, where the court stud was founded in 1580 with Spanish horses imported by Archduke Charles II.

Through the centuries, the descendants of the Lipizzaners were carefully bred from the foundation sires: Pluto (b.1765), Conversano (b.1767), Neapolitano (b.1790), Favory (b.1779), Maestoso (son of a Neapolitaner and Spanish horse) or Siglavy (b.1810). The Lipizzaner is known for its expressive head, a highly set neck, a long and powerful back, and a tail and mane that are thick and fine haired. The foals are born dark, either black or brown, and they acquire their white coloring between the ages of four and 10 years.

At the end of the performance at Schloss Arco, Podhajsky rode a white Lipizzaner stallion named Neapolitano Africa over to Patton, who was in uniform and wearing his trademark helmet with stars embossed on the front. Podhajsky saluted with a wave of his gold-cockaded hat. Patton rose from his seat.

Podhajsky, who held his hat in his right hand and the reins and a crop in his left, addressed Patton and the other visitors.

"I ask you, Gen. Patton," said Podhajsky, "and the representatives of the U.S. government to take under your protecting hand this old Austrian Academy, a cultural institution of the noble art of riding, unique in Europe and perhaps unique in the world. This school demonstrates the development of culture of the 16th century and it represents the era of the Baroque almost intact."

Patton nodded and replied, "Magnificent! These horses will be wards of the U.S. Army until they can be returned to the new Austria." In appreciation, Podhajsky, and the other riders slowly raised their hats in salute. The white Lipizzaner stallions stood at attention.

As one of the outstanding field commanders in the U.S. Army, Gen. George S. Patton Jr. was flamboyant, temperamental and controversial. Closely associated with the development of tanks and the tactics of armored warfare, Patton was a former cavalryman and an accomplished horseman.

After graduation from West Point in 1909, Patton's second assignment was with the 15th Cavalry at Fort Myer, Va. There he found time to race horses, compete in steeplechases and play polo. His equestrian skills were evident. As a member of the American team in the modern pentathlon at the 1912 Olympiad at Stockholm, Sweden, Patton, on a borrowed Swedish cavalry horse, registered a perfect score in the 5,000 meter steeplechase.

Patton distinguished himself during World War I with the American Expeditionary Forces in France, where he commanded the 304th Tank Brigade. In the peacetime era before the outbreak of World War II, he rejoined the cavalry and owned a dozen horses. While pursuing his military career, Patton also played on the Army polo team and enjoyed foxhunting, steeplechasing and horse shows, where he won some 400 ribbons and 200 cups.

Patton's cavalry training and fondness for horses made his decision in 1945 to assume responsibility for the magnificent white Lipizzaner stallions understandable.

Patton wrote in his diary that day:

It struck me as rather strange that, in the midst of a world at war, some 20 young and middle-aged men in great physical condition, together with about 30 grooms, had spent their entire time teaching a group of horses to wriggle their butts and raise their feet in consonance with certain signals from the heels and reins. Much as I like horses, this seemed to me wasted energy. On the other hand, it is probably wrong to permit any highly developed art, no matter how fatuous, to perish from the earth-and which arts are fatuous depends on the point of view. To me the high-schooling of horses is certainly more interesting than either painting or music.

 
With his stallions now in the safe hands of Gen. Patton and the U.S. Third Army, Col. Podhajsky was faced with another concern. Two years earlier in 1943, the Lipizzaners' breeding mares, which were bred to supply the Spanish Riding School's stallions, were taken by the German High Command from the lush green pastures of the Austrian Federal Stud in Fiber. Podhajsky knew that without the mares, the Lipizzaner stallions and the Spanish Riding School faced extinction.

What Col. Podhajsky did not know at the time was that Gen. Patton was already involved in the Spanish Riding School's destiny.

Nine days before, Patton had given approval to one of his commanders, Col. Charles Hancock Reed of the 2nd Armored Cavalry Group (Mechanized), to execute an operation to rescue from the German Army more than 1,000 horses that included the Fiber breeding mares.

The story of the dramatic rescue began on April 25,1945, when Capt. Ferdinand P. Sperl, who was attached as an interrogator to the 2nd Armored Cavalry Group, received information that a German intelligence unit that lacked transportation to Berlin was bivouacked in an area on the Czechoslovakian border. After negotiating with the German commander, Capt. Sperl led an "attack" early on April 26, and after a prearranged exchange of harmless gun fire, the Germans surrendered.

Later that day Col. Reed and the German general in charge of the intelligence unit had breakfast together. The two men found that they had a mutual interest in horses. The general showed Reed some beautiful photographs of Lipizzaners and Arabs that had recently been taken at the German Remount Depot at Hostau, Czechoslovakia.

R eed was told that a large number of valuable horses taken in territories under German control had been moved to Hostau, where there were ample stables, paddocks and enLclosures. Reed also learned that several hundred Allied prisoners of war were held there. Both agreed that the prisoners and horses must not fall into the hands of the approaching Russian army.

Like Gen. Patton, Col. Reed was a former cavalry officer, who had excelled in all aspects of equestrian sport. A graduate of West Point in 1922, Reed had served with the 8th Cavalry at Fort Bliss, Texas, and the 2nd Cavalry at Fort Riley, Kan. He was also a member of the Army Horse Show Team 1930-31 and an instructor at the Cavalry School.

After assuming command in 1942 of the 2nd Cavalry Regiment, later organized as the 2nd Cavalry Group, Reed led the unit throughout World War II. He was awarded the Distinguished Service Cross for his skillful command of the group and personal courage while under attack by German tanks at the battle for Luneville.

After his breakfast with the German general, Col. Reed acted quickly. He sent a prisoner by bicycle to Hostau to arrange for a German officer to come through the American lines that night to arrange terms for surrender. Reed also sent a radio message through XII Corps to Third Army Headquarters requesting permission from Gen. Patton for a military operation to rescue the prisoners of war and the horses.

 
Patton's reply was relayed to Reed: "Get them. Make it fast! You will have a new mission."

That night at about 8:00 P.M. Capt. Rudolph Lessing, German staff veterinarian at Hostau, arrived at one of Reed's border posts to arrange the surrender. He was riding a Lipizzaner and leading another. The German officer was taken to Col. Reed's headquarters, where the men had cocktails and dinner.

It was agreed that as an act of good faith, an American officer would ride back with Lessing and arrange the surrender of Hostau. Lessing warned Reed that between the American lines and Hostau there were elements of an SS Division that would fight. Reed was not concerned.

Capt. Thomas M. Stewart of the 42nd Squadron, a fine horseman from Tennessee and the son of a U.S. senator, volunteered to ride back with Lessing. The men were taken by jeep to the border post, climbed atop the Lipizzaners and rode off to Hostau.

After some harrowing experiences behind German lines, Stewart returned by motorcycle sidecar on the night of April 27. He reported that the German commanding officer, Lt. Col. Hubert Rudofsky, and his staff at Hostau, with the exception of a Czech-born lieutenant colonel, agreed to surrender when American forces arrived. Stewart told Reed that the Germans preferred to turn the horses over to the Americans rather than to the approaching Russians.

Col. Reed went ahead and gave the order to a small force he had already assembled to proceed with the mission to capture Hostau. Named Task Force Reed, the unit consisted of the 2nd Armored Cavalry Group's 42nd Cavalry Squadron, which included a platoon of tanks and assault guns. Maj. Robert P. Andrews, with Capt. Stewart as his assistant, commanded the task force.

At daybreak on April 28,1945, American forces opened a firefight on the front line. After capturing two towns along the way, the task force broke through to Hostau. Col. Reed wrote that when his men reached Hostau, it "appeared as a fiesta rather than a battle. Townspeople and Allied prisoners lined the streets-the German soldiers presented arms-the German flag went down-ours went up, and after placing outposts, the officers, intelligence personnel and as many soldiers as could be spared went to look at the wonderful array of captured horses."

For Col. Reed and the men of the 2nd Armored Cavalry Group, it was a special moment.

The unit's origins went back to May 1836 when President Andrew Jackson signed a bill forming their forebears-the second Regiment of Dragoons. Over the next hundred years, the soldiers of the 2nd Cavalry Regiment fought on horseback in the second Seminole War, the War with Mexico, the Civil War, on Frontier Service and in Indian Campaigns, in the War with Spain, the Philippine Insurrection, on Mexican Border Service and in World War I. It was only in recent times that the men and officers of that famed cavalry regiment traded their beloved horses for armored tanks.

With remnants of the former 2nd Cavalry Regiment at Hostau, Col. Reed recalled proudly: "Horses captured consisted of about 300 Lipizzaners, the Fiber breeding herd plus the Royal Lipizzaner stud from Yugoslavia-well mixed together. Over 100 of the best Arabs in Europe, about 200 thoroughbred and trotting bred horses collected from all of Europe-finally about 600 Cossack breeding horses."

The Headquarters 2nd Cavalry Group combat log for April 28, 1945, showed the 42nd Squadron also captured 416 prisoners and released 150 Allied prisoners of war. The next morning, a part of the task force rejoined the 2nd Cavalry Group. Capt. Stewart and one platoon of tanks were left to control Hostau and to protect its valuable horses.

Fearing an attack by the SS troops in the area, Stewart organized a defense force using some of the released Polish prisoners and Hostau's German troops and their anti-communist Cossack allies, who wanted to maintain the horse farm. The SS troops attacked Hostau late on April 30, 1945. A five-hour battle took place, which resulted in Stewart's forces defeating the attackers and capturing 100 prisoners; one soldier of the 42nd Squadron was killed and another wounded.

On or around May 14, 1945, Col. Podhajsky flew into Zinkovy on an American plane, where he spent the night and dined with Col. Reed and his staff. Plans were made for the breeding herd to be returned to Col. Podhajsky at St. Martin's as soon as practical. The next day Reed and Podhajsky drove to Schwarzenberg, where the Riding School's director pointed out the horses of the Fiber herd. Podhajsky was very pleased with their condition.

 

 

 

little statue of Napoleon,




only 3 in the world is told to me

Montag, 20. Juli 2009

lip10 Who is this? Old postcard




Anybody know horse and rider? When was it taken? Thanks

Marcia

New SRS Reithall in Heldenberg

From the Niederösterreich Nachrichten :

Heldenberg wird eine Schule für Lipizzaner

Das Sommerquartier der Lippizaner am Heldenberg wird zu einem Ausbildungszentrum für die Hengste ausgebaut. Geplant: Reithalle für 300 Zuschauer

Heldenberg im Bezirk Hollabrunn wird in Zukunft noch enger mit Österreichs Aushängeschild, den weißen Lipizzanern, verbunden sein. Derzeit ist dort das Sommerquartier der weißen Hengste untergebracht, wo die Tiere bis 15. August ihren „Urlaub“ verbringen. Im Frühjahr 2010 wird dort dann auch das Ausbildungszentrum für die Pferde sein. Der Grund: Platzmangel in der Spanischen Hofreitschule in Wien.

„Wir brauchen mehr Platz. In Wien, wo bisher die Hengste ausgebildet worden sind, haben wir keinen Platz mehr. Piber ist der optimale Standort für die Zucht, doch wir können in Piber die Hengste nicht ausbilden, der Weg von Wien ist einfach zu weit. Der Heldenberg ist näher“, so Erwin Klissenbauer, der Wirtschaftsdirektor der Spanischen Hofreitschule, im Gespräch mit der NÖN.

Die Idee ist nicht neu. Schon im Vorjahr hatte Generaldirektorin Elisabeth Gürtler bei einem Besuch des Sommerquartiers am Heldenberg derartige Andeutungen gemacht.Noch im Sommer sollen nun die behördlichen Genehmigungen für den Bau der Trainingshalle eingeholt werden, noch heuer will man das Fundament dafür errichten. Die Fertigstellung ist für den März bzw. den April des kommenden Jahres geplant. Geschätzte Kosten des Ausbaus: 600.000 bis 800.000 Euro.

Die Reithalle selbst wird dann für zirka 300 Zuschauer Platz bieten. Einmal pro Woche soll die Möglichkeit geboten werden, beim Training zuzusehen. Klissenbauer: „Da darf man sich aber nicht gleich die spektakulären Sprünge erwarten, dafür wird es einmal pro Jahr eine professionelle Vorstellung geben.“Am Beginn werden zehn bis fünfzehn Lipizzaner am Heldenberg ausgebildet werden. Letztendlich könnten es dann aber bis zu 30 Pferde sein.

Lipizzaner seit 2005 in NÖ
Das Sommerquartier am Heldenberg wird von der Spanischen Hofreitschule seit dem Jahr 2005 genutzt. Im selben Jahr hatte die Landesausstellung „Zeitreise Heldenberg“ stattgefunden, wobei drei Vorstellungen der besonderen Pferde auf einem eigens errichteten Open-Air-Veranstaltungsplatz gegenüber dem Englischen Garten stattgefunden hatten. Bis auf das Jahr 2007, als einige Pferde erkrankt waren, konnten Gäste jedes Jahr die Stallungen mit den Lipizzanern besichtigen. Derzeit sind 81 Pferde im Sommerquartier der Hofreitschule untergebracht.

Die Hofreitschule selbst wird das neue Ausbildungszentrum nicht speziell touristisch vermarkten. Dennoch bedeutet es für die Region eine große Aufwertung. Wirtschaftsdirektor Klissenbauer: „Selbstverständlich werden wir in unseren Aussendungen auf das Ausbildungszentrum hinweisen.“

Gen.Patton and the Lipizzaners




The 2nd Armored Cavalry Group

Of the many famous photographs of Patton taken before his death, there was one of him in Salzburg, Austria, on a white horse. It showed Patton in uniform and helmet proudly astride a magnificent Lipizzaner stallion named Favory Africa. The Lipizzaner had been chosen by Adolf Hitler as a present for Japan's Emperor Hirohito, a gift that Patton had made sure was never delivered.
Both pictures of Patton on horseback appear to be the same horse, Favory Africa.



In appreciation of Gen. Patton's personal involvement on behalf of the Spanish Riding School, the Austrians presented him with a white stallion named Pluto XX and several mares, which he sent back to the United States.

Sonntag, 19. Juli 2009

reit unfaelle und pferde launen




Horses and riders having some problems. If you are a horse person, you can sympathise with these predicaments.

Military Horses




Military horses were not only a means of transportation. A soldiers' life depended on his equine partner. Always together, whether in camp or under fire, their relationship went deep. Knowing each other so well meant they fought as a single unit, a very effective fighting machine. A mounted soldier learned to work with his horse, to balance his horse and himself, to create the latent energy needed for a charge or hand to hand combat.
It is from these military men and horses that the art of Dressage has been developed and passed from generation to generation.

Freitag, 17. Juli 2009

„Ich habe mich nicht an die Spitze gekauft“ (FAZ.net)

12. Juli 2009 Haya bint al Hussein, die 35 Jahre alte Tochter des verstorbenen Königs Hussein von Jordanien, führt die in die Krise geratene Internationale Reiterliche Vereinigung seit Mai 2005. Kraft ihres Amtes ist sie auch Mitglied des Internationalen Olympischen Komitees (IOC). Prinzessin Haya ist verheiratet mit dem Regenten von Dubai, Scheich Mohammed bin Rashid al Maktoum. Die Präsidentin des Weltverbands der Reiter spricht im F.A.Z.-Interview über Männer, Macht und blaue Briefe.

Sie haben vorige Woche in Aachen erklärt, Sie seien überzeugt davon, dass Isabell Werth trotz des positiven DopingTests bei ihrem Pferd unschuldig ist. Wie kommen Sie denn darauf?

Es stimmt, in ihrem Pferd war eine Doping-Substanz. Aber ihr Fall ist ganz typisch - für einen Reiter, der von seinem Tierarzt sehr schlecht beraten wurde. Ein Reiter kann nicht sein sportliches Niveau erreichen und gleichzeitig einen Hochschulabschluss in Medizin machen.

Damit argumentieren Sie gegen das eigene Regelwerk, das dem Reiter die ganze Verantwortung zuspricht. Wieso?

Ich weiß, ich sollte eigentlich keinen Kommentar zu ihrer Schuld oder Unschuld abgeben. Ich bin froh, dass ein unabhängiges Tribunal dafür zuständig ist. Was ich sage, wird dieses Gericht nicht beeinflussen. Aber auf menschlicher Ebene will ich sagen, dass sie eine sehr intelligente Person ist, die viel dafür geopfert hat, unseren Sport voranzubringen, eine wundervolle Karriere aufzubauen und dafür zu sorgen, dass die Fahne ihres Landes gehisst wird. Ich glaube nicht eine Sekunde, dass sie all das wegwerfen würde. Das ist unmöglich.

Sie wird aber wohl trotzdem wegen Dopings verurteilt werden.

Sie kann stolz sein, dass ihr Fall den Druck auf die FEI erhöht, Doping ganz oben auf die Agenda zu setzen. Es gibt nichts Wichtigeres, als sich diesem Feind zu stellen.

Und dazu taugen Ihre Regeln nicht?

Dieser Fall zeigt deutlich, dass die aktuellen Regeln total wirr sind, was die Rolle der Athleten angeht. Wir haben keine klare Unterscheidung zwischen Doping und Medikation. Überhaupt fehlt die Klarheit. Wir müssen die Regeln wirklich ändern.

Auch die Frage der Sanktionen ist unklar. Der Weltreiterverband FEI verhängt üblicherweise nur ein paar Monate Sperre. Jetzt schlägt die „FEI-Kommission für sauberen Sport“ vor, die in allen anderen Sportarten übliche Regelstrafe von zwei Jahren Sperre einzuführen. Wird das kommen?

Die Kommission für sauberen Sport, deren Vorsitzender Arne Ljungqvist ist, der Vizepräsident der Welt-Anti-Doping-Agentur, macht eine sehr wichtige Arbeit. Sicherlich hat uns auch die Frage der Strafen in die schwierige Situation gebracht, in der wir heute sind. Die Wirkung der Geldstrafen war gleich null. Und die der Sperren auch. Zusammen mit den Unklarheiten auf der Verbotsliste war unsere jetzige Situation unvermeidlich. Schon vor meiner Zeit wurde eine Task Force zum Thema Medikation gegründet, die versuchte, das Problem anzugehen, aber offensichtlich ging ihre Arbeit nicht tief genug. Ich denke, wir machen es uns zu einfach mit dem Versuch, dem Druck in den Medien zu entkommen, indem wir mit dem Finger auf Athleten zeigen und sagen: Sie müssen bestraft werden, und wir sind völlig unschuldig. Die Wahrheit ist, wir müssen die Verantwortung für die aktuelle Lage übernehmen. Wir waren nachlässig.

Wann werden die Strafmaße erhöht?

Wenn die Nationalverbände die Vorschläge der Ljungqvist-Kommission für gut befinden, werden sie in der nächsten Generalversammlung im November beschlossen. Dann würden sie im Januar nächsten Jahres in Kraft treten.

Der deutsche Verband ist der Überzeugung, dass die FEI ihm nicht besonders gewogen ist und Deutschland als Doper-Nation hinstellen will. Fühlen sich die deutschen Funktionäre zu Unrecht verfolgt?

Deutschland ist ein Riese in unserem Sport. Mit Riesen aber ist es so: Wenn etwas Gutes oder Schlechtes passiert, haben sie immer den größten Anteil daran. Gemessen an der Zahl der deutschen Reiter, ist es natürlich, dass das Problem zuerst hier ans Licht kommt und erst später im Rest der Welt. Doch das Doping-Problem gibt es überall.

Den größten Widerstand erfahren Sie durch die Europäer. Die führenden Reiternationen sagen, sie hätten das Vertrauen in Ihre Führung verloren. Wie konnte es dazu kommen?

Es gibt Presseberichte, in denen ich als eine Person hingestellt werde, die vom Arabischen Golf kommt, aus Dubai, und deshalb daran gewöhnt ist, Macht auszuüben. Als entscheidender Faktor wird benannt, dass ich mit einem der mächtigsten Männer der Welt verheiratet bin. In Wahrheit war einer der Hauptgründe, warum die Pferdesport-Gemeinschaft mich gewählt hat, dass ich in Europa aufgewachsen bin. Und dass ich meine Erziehung, was Pferde und Sport angeht, in Europa bekommen habe. Und dass ich ein sehr normales Leben geführt habe und mein Vater mich ermutigt hat, Schritt für Schritt meinen Weg im Pferdesport zu gehen. Ich habe mich nicht auf die Macht des Geldes verlassen und mich nicht an die Spitze gekauft.

In Ihrem Manifest, das Sie vor der Wahl 2005 verbreiten ließen, haben Sie im ersten Präsidentschaftsjahr zehn Millionen Schweizer Franken als Entwicklungshilfe versprochen. Ihre Kritiker werfen Ihnen vor, damit hätten Sie sich die Stimmen der kleinen Länder gesichert.

Europa macht es sich leicht, zu sagen, nur die kleinen Länder unterstützten mich. Aber Amerika ist kein kleines Entwicklungsland, und es gibt noch andere, die mich unterstützt haben und meinen Weg als den richtigen gesehen haben.

Womit erklären Sie sich dann den anhaltenden Gegenwind?

Wenn es Veränderungen gibt, bekommen die Leute Angst.

Unter den Hauptamtlichen in Lausanne sollen Angst und Schrecken herrschen. Unter anderem haben Sie bereits Ihren vierten Generalsekretär. Auch der Chefveterinär hat die FEI verlassen.

In meinem Manifest habe ich gesagt, wir müssen eine serviceorientierte Organisation werden. Das geht nicht mit Leuten, die strikt von neun bis fünf arbeiten und glauben, sie hätten ein Erbrecht, zu bleiben. Viele der europäischen Verbände erwarteten, dass ich alle Personalien mit ihnen diskutiere - wenn einer der Hauptamtlichen gehen musste, zurücktrat oder um Entlassung bat. Aber ich hätte das doch nicht mit 15 europäischen Ländern diskutieren können - und nicht mit dem Rest der Welt. Und die Leute haben ein Recht auf Diskretion. Die europäischen Länder hatten aber das Gefühl, sie hätten die Kontrolle verloren. Sie hatten sich viel zu sehr daran gewöhnt, dass sie alles kontrollierten. Eine sehr wichtige Aufgabe sehe ich darin, die Autorität des Weltverbandes wiederherzustellen.

Nun droht Europa mit einem eigenen Verband.

Die Europäer werden den Sport immer dominieren. Ich muss ihnen vielleicht deutlicher machen, dass ich davon überzeugt bin. Seit 15 Jahren diskutieren die europäischen Föderationen darüber, einen eigenen Verband zu gründen, das Problem habe ich nicht verursacht. Ich fände es aber furchtbar, wenn es passieren würde. Es wäre sehr kurzsichtig von den Europäern, jetzt unsere Familie zu spalten, weil sie mit mir persönliche Probleme haben.

Werden Sie im nächsten Jahr für vier weitere Jahre kandidieren?

Ja. Danach sind sie mich los.

Die Auseinandersetzung mit Europa ist viel aggressiver geworden, seit der FEI-Vorstand versucht hat, sein eigenes Mitglied, den Deutschen Hanfried Haring, zu suspendieren. Begründung war, er sei Mitwisser im Medikationsfall von Marco Kutscher gewesen und habe die FEI nicht informiert. Haring ist Vorsitzender einer der beiden europäischen Ländergruppen, weshalb es hieß, Sie wollten vor allem einen unbequemen Kritiker kaltstellen. Bereuen Sie diesen Schritt?

Nein. Über dem Kopf eines unserer Vorstandsmitglieder schwebte ein Fragezeichen, weil er in einen laufenden Fall verwickelt ist. Er ist schließlich an Entscheidungsprozessen beteiligt, in denen es auch um unser Engagement für den sauberen Sport geht. Ziel war es nicht, ihn für schuldig oder unschuldig zu erklären. Wir wollten ihn nur bitten, sich zurückzuziehen, bis der Fall geklärt sein würde. So etwas passiert in jeder normalen Organisation der Welt. Es war nicht persönlich gemeint.

Er nahm es aber persönlich. Zumal Ihr Versuch am FEI-Sportgericht scheiterte.

Ich habe nicht mit ihm darüber gesprochen. Aber wir im Vorstand sind uns einig, dass wir uns der Entscheidung fügen und ihn weiterhin wie ein Vorstandsmitglied behandeln werden. Wir werden sehen, was die Untersuchung erbringt. Ich hoffe, dass unser Sportgericht in Zukunft mutig genug sein wird, zu sehen, dass niemand über dem Gesetz steht. Auch innerhalb des Verbandes. Das ist ein neuer Weg für die FEI, aber darum geht es bei den Themen Good Governance und Transparenz.

Da kommt man automatisch auf den Doping-Fall Ihres Ehemannes, dessen Di-stanzpferd positiv auf Testosteron und das Psychopharmakon Guanabenz getestet wurde. Was ist denn da der Unterschied zu Harings Rolle im Fall Marco Kutscher? Warum haben Sie sich nicht selbst suspendieren lassen bis zur Klärung, sondern lediglich erklärt, sich herauszuhalten zu wollen?

Ich wusste nichts von seinem Doping-Fall, und unglücklicherweise wusste er auch nichts davon. Das ist der wichtigste Punkt: Nach unseren Regeln ist die verantwortliche Person für einen Doping-Fall der Reiter. In den Vereinigten Arabischen Emiraten und anderen Ländern, wo das Distanzreiten verbreitet ist, wird so viel Geld investiert, dass dieser Sport explosionsartig gewachsen ist. Die Reiter sind nicht durch die normale Schule gegangen, wie der Rest unseres Sports sie durchgemacht hat. Darum hat das Distanzreiten sich in eine Richtung entwickelt, wo Besitzer Hunderte von Pferden haben können, mit deren Training sie nichts zu tun haben. Sie können am Tag des Wettkampfs aufkreuzen und wissen manchmal nicht einmal, welche Farbe das Pferd hat, mit dem sie starten werden. Das ist falsch, und ich hoffe, dass die Leute am Fall meines Mannes erkennen, dass sie ihre Verantwortung akzeptieren müssen und alles über die Vorbereitung ihres Pferdes wissen müssen, bevor sie aufsteigen und losreiten. Ich verstehe, dass es aussieht, als wäre ich als Präsidentin wegen dieses Falles angreifbar. Solange meine Familie Wettkämpfe bestreitet, wird das eine Schwäche bleiben. Ich habe immer gefürchtet, dass so etwas passieren würde.

Und doch ist er Ihr Mann und nicht nur Mitglied Ihres Verbandes wie im Fall Kutscher und Haring.

Ich sehe mich in diesem Fall nicht in der Verantwortung. Ich wäre sehr stolz, wenn die FEI ihn behandeln würde, wie es sich gehört, und er würde das genauso sehen. Es sollte keine Sonderrolle für ihn geben.

Es heißt ja immer, Sie wollten Distanzreiten ins olympische Programm bringen, um Ihrem Mann einen Gefallen zu tun. Wie weit sind Sie damit?

Lassen Sie mich klar sagen, dass ich kein Szenario sehe, in dem Distanzreiten olympisch werden kann. Ich bemühe mich auch nicht darum. Ich glaube nicht, dass diese Disziplin genug Struktur hat, und denke, dass noch viel Arbeit nötig ist, damit sie ein vollwertiges Mitglied der Sportfamilie wird. Kommerziell ist sie noch kein erfolgreiches Produkt. Wir haben Diskussionen über das Wohl der Pferde, wir haben erhebliche Doping-Probleme. Ein Kriterium des IOC ist außerdem die Historie eines Sports. Dieser Sport ist siebzehn oder neunzehn Jahre alt - da kann er nicht in Konkurrenz mit Springen oder Dressur treten. Auch nicht mit Voltigieren, was mehr Chancen hätte, wenn wir es versuchen würden.

Das dürfte den Wünschen Ihres Mannes nicht entsprechen.

Mein Vater vermittelte mir ein Leben mit Pferden. Und das war, wie ich hoffe, einer der Gründe, warum mein Mann mich geheiratet hat. Aber nicht, um meine Rolle in diesem Sport auszunutzen. Wir versuchen beide nicht, Distanzreiten ins olympische Programm zu drücken.

Sie haben aber vor einiger Zeit einer englischen Fachzeitschrift ein Interview gegeben, in dem sie vor allem Dressur und Vielseitigkeit harsch kritisieren und ihr Verbleiben bei Olympia in Frage stellen. Wieso?

Wenn es ernsthafte Probleme gibt, muss ich sie benennen, vor allem, wenn unsere Mitglieder versuchen, sie einfach auszusitzen. Unsere Beziehungen zum Internationalen Olympischen Komitee hängen nicht mehr von Einzelpersonen ab. Mittlerweile arbeitet das IOC mit Zahlen und Fakten. Zuschauerzahlen, Übertragungszeiten und Einschaltquoten, Verbreitung, Todesfälle im Sport, Doping-Fälle. Ich habe eine Warnung vom IOC bekommen, dass wir in der Vielseitigkeit die Sicherheit verbessern müssen. Und in der Dressur wurden wir gewarnt, dass das Richtersystem intransparent ist. Es gab deshalb Kritik in Hongkong. Wir hatten das Problem im Vorstand schon zwei Jahre vorher angesprochen, aber es ging einfach immer so weiter, die technischen Komitees reagierten nicht. Als es so schlimm wurde, dass ich die Briefe vom IOC bekam, musste ich handeln.

In der Dressur haben Sie bei der letzten Generalversammlung das ganze Komitee zum Rücktritt veranlasst.

So sind wir dem Problem begegnet. Ich freue mich auf die Arbeit, die die Task Force leisten wird. Die konkreten Ergebnisse werden das IOC zufriedenstellen. Und auch in der Vielseitigkeit werden wir das Problem angehen.

Wer hat diese Briefe geschrieben? Die Programmkommission des IOC?

Die Briefe waren von Präsident Rogge persönlich unterschrieben.

Das Gespräch führte Evi Simeoni.

Montag, 13. Juli 2009

KL-Rosana




Andreas asked me to post a picture of our 4 years old mare ( Maestoso Toscana-94 x KL-Rigoletta). Maybe you will meet her soon in Vienna, Andreas. I hope so!

Dienstag, 7. Juli 2009

Maler Ludwig Koch




An article from the October 1924 "New York Times" about Maler Ludwig Koch of Austria, a very talented equestrian artist.

Monday, Oct. 24, 1927
Over two months ago an old man watched ship reporters interviewing celebrities on the deck of a boat. He himself was not annoyed by their yapping curiosity. When he stepped into the streets of Manhattan, he made no comments on the U. S. women, the tall buildings or the roaring subways but looked with intense interest at two large dappled-greys who were tugging a truck wagon along the cobbles of the waterfront avenue.
He, Maler Ludwig Koch of Austria, had been invited by the U. S. Polo Association, members of which had heard him spoken of abroad as "the finest painter of horses in the world," to come to the U. S. and make pictures of the International Polo matches. The Association urged 500 notables to visit the studio of Artist Koch at No. 127 Fulton Ave., Hempstead, L. I. Of the 500, one came to the studio. It became obvious to Artist Koch that in the U. S., unlike Europe where his works hang in museums, where artists speak of him almost with reverence, where an invitation to his studio make its bearer glad, he was unknown. In the white cottage in Hempstead he painted polo ponies and portraits of their owners brilliantly, surely, with a perfection born of complete knowledge. Last week art critics who had forgotten Maler Ludwig Koch, painter of horses, were shamed by able polo expert for the New York World, Peter Vischer.* Expert Vischer listened to the old artist speaking of the days, long before the War, when he had lived in Vienna, ridden through misted bridle paths with noblemen in red coats and silver spurs, painted Lippiza and Kladrub, horses of the Emperor Franz Josef. Then Expert Vischer looked at some of the paintings. Always admired first by horsemen, then by artists who saw the anatomical precision, the speed and effort of the running horses, the Academician composition and texture of his work, Artist Koch was rediscovered by the World's polo expert, whose article was printed at the head of the art section. Ignorant skeptics were convinced when they went to look at the picture of Perico, polo pony, "made," said Artist Koch, "in a few hours and 40 years;" at the great canvas "No More War," a picture of horses, fleeing from the sound of artillery, rearing in terror against the sharp reins of barbed wire. Artist Koch will exhibit again shortly; upon the result will decide whether to stay in the U. S. or return to Europe.


Kisses
Romy

Backstage at the Spanische Hofreitschule

Excuse the technical stupidity, but I thought H & D members might enjoy this video clip from April 2009, which shows footage from morning training and also a visit to the Stallburg, including the great Conversano Dagmar, and my own personal favourite, the dragonish Pluto Bellornata (also to be seen in the Morgenarbeit performing some impressive Wechsel Eins!) I was fascinated by the footage of Herr Bauer long-reining a horse who appears to be Conversano Undine I - but don't quote me on that!

Montag, 6. Juli 2009

Lipizzan




This is a foto from Col.Podhajsky's book, "The White Stallions of Vienna". It is taken in the same place as the foto in the previous post 'Who and Where is this'.
There is no description of the foto. It is a color plate added after the book was printed, so I don't know if it is in every edition.There are several color plates and none of them has a description! But in this one, you can see the riders face and it may be easier to identify him.

Kisses
Romy

Piber meets Vienna

An Introduction to the Federal Stud Piber

During the first three weeks in July, when the Lipizzaner Stallions are taking their summer break in Lower Austria, the young stars pay a visit to Vienna. In addition to the foals and their mothers, carriage presentations with tandems and four-in-hands in traditional uniforms and historic carriages are shown. This special programme is presented in German and English.

Ticket price: seats € 14,- to € 30,-, standing room € 10,-


Tickets & Info


    Venue

    Spanische Hofreitschule

    Hofburg
    Michaelerplatz 1
    1010 Vienna



    Current Times

    • Tue, 07.07.09, 11:00-12:00h
    • Wed, 08.07.09, 11:00-12:00h
    • Thu, 09.07.09, 11:00-12:00h
    • Fri, 10.07.09, 11:00-12:00h
    • Sat, 11.07.09, 11:00-12:00h
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