I saw "Drawing Restraint", a Matthew Barney exhibition by Kunsthalle Wien and Serpentine Gallery, London.
I liked it very much!!!
Kunsthalle Wien is lokated in an old barock indoor arena. This arena is as beautyfull as the Winterreitschule (Spanish Riding School). The location is in walking distance to the SRS. I did some pics, you can see them in "Pictures" (I hope I can upload them ;-))
„I FIRST UNDERSTOOD ABSTRACTION, ON A BASIC LEVEL, ON THE FOOTBALL FIELD.”
Matthew Barney
Matthew Barney: DRAWING RESTRAINT is an exhibition by Kunsthalle Wien and Serpentine Gallery, London.
Houdini and the US football star Jim Otto, struggles against the resistance of constructed and natural boundaries of the human body. Like the magician and the competitive sportsman, Barney relies on the physical dynamics continuously oscillating between self-control and energetic impetus. For the artist, who was a sportsman and model himself, the genesis of the artwork is based on overcoming one’s self-imposed boundaries. He uses gymnastics, climbing, and weight-lifting as performative subjects, turns into a fantastic kid satyr, or boards a Japanese whaler as an “occidental guest” to unite with his love – Björk. This location of a mythical parallel world distilled from cultural-historical elements of Japanese Shinto, Western performance-oriented thinking, and industrial aesthetics sees the reinvention of the Moby Dick story culminating in an “erotic communion”, in which the lovers are transformed into whales and enter a state of oceanic being.
With DRAWING RESTRAINT, Matthew Barney, who regards himself as a sculptor, extends the notion of sculpture to include almost every visual medium and combines performance, video, photography, installation, film, and drawing to a fascinating total work of art.
Born in San Francisco in 1967, Matthew Barney is one of the shooting stars of the American art scene and has become internationally acclaimed for his CREMASTER Cycle. He lives and works in New York.
Matthew Barney: DRAWING RESTRAINT is an exhibition by Kunsthalle Wien and Serpentine Gallery, London.
Houdini and the US football star Jim Otto, struggles against the resistance of constructed and natural boundaries of the human body. Like the magician and the competitive sportsman, Barney relies on the physical dynamics continuously oscillating between self-control and energetic impetus. For the artist, who was a sportsman and model himself, the genesis of the artwork is based on overcoming one’s self-imposed boundaries. He uses gymnastics, climbing, and weight-lifting as performative subjects, turns into a fantastic kid satyr, or boards a Japanese whaler as an “occidental guest” to unite with his love – Björk. This location of a mythical parallel world distilled from cultural-historical elements of Japanese Shinto, Western performance-oriented thinking, and industrial aesthetics sees the reinvention of the Moby Dick story culminating in an “erotic communion”, in which the lovers are transformed into whales and enter a state of oceanic being.
With DRAWING RESTRAINT, Matthew Barney, who regards himself as a sculptor, extends the notion of sculpture to include almost every visual medium and combines performance, video, photography, installation, film, and drawing to a fascinating total work of art.
Born in San Francisco in 1967, Matthew Barney is one of the shooting stars of the American art scene and has become internationally acclaimed for his CREMASTER Cycle. He lives and works in New York.
Thank you Andreas and AtjanHop, I just love this subject! Thank you for all the information! Is a shame that horses and riding places are getting out of the European cities year after year! All the best Ana
AntwortenLöschenWhat a very nice baroque ridinghall ! Thank you for the information and the beautiful pictures . I will see this hall when visit (hope next year) Vienna .
AntwortenLöschenLovely!!
AntwortenLöschenThank you, Andreas, for the photos and Atjan, for the very interesting information and history! I'll be in Vienna in a couple of weeks and look forward to visiting the hall. Walking there from the SRS will be perfect with the lovely summer weather. :) It looks like there are some interesting music events are taking place while I'm visiting, too.
Agree, Ana - it is sad that there are no longer horses there.
So glad that the hall was preserved, though, even though there are no longer horses stabled there.
Thanks also for the links, Atjan. :)
Yesterday I was in Vienna for few hours.... shopping in the "Mariahilferstrasse" with my wife.... And guess what.... I couldn't resist..... to visit the inner square of the "Museumsquartier" again... And to see the Ovalstall (the doors were opened, because they were building up a stage platform)
AntwortenLöschenThe sun was shining, people were sitting on the terraces in the square, just aside the ancient ridinghall. A relaxing atmosphere, where once the imperial horses went along.
It is such a nice surrounding! Close your eyes a little bit, so you can not see the new buildings and light colored benches in the inner square..... and you might hear some echo's of hoofbeats ;-))
Atjan
Hey Atjan. !
AntwortenLöschenI fly into Vienna on Monday, I am staying in a hotel just a hoofbeat away from the Museumsquarter.
I shall listen.....
Karen Mac
Sadly I didn't hear the ghostly hooves from my hotel window but the number 49 tram frequently thundering along the rails, to and fro from Ottakring to the Stadtzentrum. Wien is alive with the throng of football fans coming in for the European championships...even the famous Augarten porcellain Lipizzaners are balancing white and gold footballs.... Morgen Arbeit was wonderful as always, everything so effortless and graceful from EOB Krzisch and OB Eder. Transistions from 2 tempi changes absolutely seamless. Elegant passages and half passes. This is truly a living art and a skill that few of us can posess. Hausi's jolly Dubowina was slow to settle most mornings and although he spooked a good number of times, often at his own shadow, he performed 22 consecutive single tempi changes right across the diagonal. Gut gemacht Dubowina ! Andreas told me in March that he was going to train M. Basowizza on the long rein. His passage is a delight and he still needs to slip down a gear on the tempi change but he is always lovely...... The twenty year old Baso holds a special place in my heart. After S. Mantua 1, Baso was the first stallion I recognised at sight. He is an intelligent horse with charm, skill. and always a delight to watch in all steps and movements. A horse can only ever be as good as his trainer! I was fortunate to be able to meet Baso this time in the Stallburg Tour, which was one of those moments I can never forget. I was surprised at how huge he appears. I also got to see the new "Hofburg Bay," a charming little guy, born in 2003, who is tiny for a five year old and is called C. Bonavoja. [ The first time I went to Piber was 2003. ] I also met the charming C. Kitty, who stuck his pink "nase" thru the bars for a scratch - sorry mate, I can't do that! Thanks always Andreas! The SRS is always a delight to visit. Good luck Austria in Euro2008 Fussball ! [ yes, I bought a scarf.] .....Immer wieder Oesterreich....... All the best, Karen, Manchester England
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